MOI LP/ DIGITAL AVAILABLE

“MOI” is the fearless new full length album by artist and musician Steven Warwick. The record signals a more upbeat reprise following the previous, reflective release “Nadir”. “MOI”, the first physical release under his own name ( having previously recorded under the Heatsick monicker), is a journey considering interior worlds and personal architecture, as found in early spiritual narratives. Recorded in Berlin, the FUGA residency space in Zaragoza and and on location in New York, Warwick’s sonic vocabulary is further expanded with intense frenetic rhythms, prismatic melodies and resonant vocals.

Like the dopamine rush of contemporary life, “MOI” is a sonic roller coaster with a scream -if-you-wanna-go-faster urgency ; “Open Fire Hydrant” bursts out like a pressure valve spiraling onto the dancefloor, while Kaleidoscope offers cheeky anecdotes as told on a ride home soundtracked by a garage beat.
MOI is a spectrum both emotionally and musically, embedded with an underlying spirituality wrestling with existential dread, as witnessed in “Over There”, “Salvation”, “Kind of Blue” or the icy digital pulse of “Cold Light of Day”. “Danke” featuring guest vocals from visual artist Josephine Pryde offers a slightly gothic feel, albeit of the architectural variety, while the purgatorial transmissions of “Consolatio”, bring a moment of respite. “Rush” is a sensuous percussive workout before concluding on the rampaging seductive house track “Silhouette”.

“Do you know who I am? Because I don’t!”

The album is mastered by Jeremy Cox, featuring cover photography by Ilya Lipkin, and layout by Johannes Schnatmann and Bill Kouligas.

available to buy here
https://p-a-n.org/product/steven-warwick-moi-pan-103/

and streaming on all usual channels.

Review of GRM Brainfuck by Sibylle Berg for Texte zur Kunst.

Brexit anyone? If you’re fed up with the parliamentary to and fro, then perhaps a grave outlook on the future of British society post-Brexit would be a nice escape from the current drama. The decorated Swiss-German author, Sibylle Berg, has penned just such a work, in over 600 pages of lurid detail on post-post-historical socialization. Musician Steven Warwick provides a much-needed English review of Berg’s German tome and ponders the realities of how one lives in the shadow of impending crises.